YOUR EYES AS HONEY ISSUE 1 - CREATIVE NONFICTION ݁₊ ⊹ . ݁˖
Stick and Poke
by Lynn Cook
My name is Lynn, and I’ve been fascinated with tattoos for as long as I can remember. As a child I told everyone that my dream job was to be a tattoo artist, but growing older made my dreams feel less attainable. Could I afford to commit myself to an apprenticeship? Could I afford the supplies? Would I be accepted by a tattoo shop for an apprenticeship in the first place? Was my style conducive to tattooing? My plan for the future transformed into a childhood fantasy, and I opted for a more practical degree that could guarantee employment. The modern tattooing industry is inaccessible, and where it can be accessed, an elitist ideology that undervalues and oppresses newcomers, black and brown artists, queer artists, and feminine-presenting artists persists. The integral role that artists in these communities have played in the development of tattooing has been erased. Tattoos have historically been used by these communities as markers of identity, social status, spirituality, and cultural connection (Blanchard, 2003; Lineberry, 2023). To me, they signify community, creative expression, and the reclamation of a body and a life that I was taught to hate. Tattooing has not always been machine produced or purchased for exorbitant prices at shops run by old white men who shame anyone that doesn’t practice American traditional or realism, and I do not believe that is all it should be. A reclamation of the art of tattooing by the marginalized communities from which it was developed has potential to return the practice to its place as site of political resistance, radical embodiment of identity, and community building (Woods, 2023). My first collection of tattooing supplies was gifted to me by my girlfriend for our one-year anniversary. We had previously discussed my abandoned aspirations, and she knew fear held me back from making the purchase myself. I was 14 the last time I had done a stick-and-poke on myself, something I started as a rebellious pre-teen to cope with my hectic home life and struggles with my queer identity. At 19, this gift seemed to hold higher stakes than the smiley face I poked on my pinky finger. A few months before I received my supplies, my girlfriend and I booked tattoo appointments at a private home studio in Columbus. The 26-year-old butch that gave me my first real hand-poked tattoo changed my life. They introduced me to the true potential that tattooing has for marginalized communities, and this eventually inspired me to start trying. I have been practicing for about three years now, and within the last two years I have been booking clients around Athens for both custom and flash tattoos. It has become a source of supplementary income, but I do not tattoo purely for profit. My work is priced on a sliding scale based on size and detail, which is designed to make my tattoos financially accessible. I also accept food, craft, and tattoo trades instead of monetary payment for tattoos, which has introduced me to many local artists and allowed us to cross-promote our work. I have designed my private studio and invested in various amenities with comfort and inclusivity as my primary focus. Teaching myself to tattoo has only drastically improved my relationship with myself and it introduced me to so many beautiful and unique people in my local community. My tattooing experience over has proven to me that returning tattooing to its “do-it-yourself” roots allows industrially undervalued artists to forge a career for themselves. It has allowed me to create a safe and accessible space for people who inhabit marginalized identities to mark their bodies with symbols of reclamation, connection, and protection. Tattooing is a form of resistance, and I feel so incredibly grateful for the opportunity to resist in community.


You Can Still Fly with Broken Wings
by Amanda Baker
It had been a long summer since the grief had stolen my days. Suddenly I felt the significance of the small things in a way I never had. We drove to Michigan to escape the gaping silence in a home that was once filled But the silence followed, waiting for the days to slow and minds to wander. As we packed the car a butterfly fluttered around our faces Slow enough to feel intentional, circling each one of us like it knew the souls within. It would land nearby and watch as if it were waiting for us to acknowledge its presence. For a fleeting moment the dread softened, and I felt connected to what I had lost. My brother lifted his finger and held the delicate being gently As if trust were the easiest thing, As if love could still find its way back to us. I felt my dad in the quietness, and for once, the silence felt comforting. Months later when I had begrudgingly forced myself back into reality I felt drained, alone, and haunted by the ghosts of my grief. In my yard, another butterfly of the same kind found me, fluttering around my face And bringing me back to that moment in Michigan. Only this time, its wings were battered and worn, carrying its damage in plain sight. It struggled in the grass, flying in spiritic, trembling attempts Only taking a second to rest when I offered a spoonful of sugar water. Though it had every reason to fear me, the butterfly sat quietly Slowly batting its decorated wings as if to say, “thank you, stranger.” After resting with me for a good while, it fluttered away With just a little less weight than before. I admired that its broken wings weren’t hidden. How it carried its flaws so obviously, and still, it lifted itself into the air. Still, it trusted the sweetness offered and trusted the hands of those unknown. It trusted that help didn’t make it fragile but would instead make it stronger. For a moment I connected these feelings to my own experience with grief. Moving forward with the parts of you that are broken and battered, that will never be the same. I carry my grief with pride in knowing the loved I shared lies beneath. I lean into what brings myself happiness, even when it feels risky. Even when I’m not sure I can get up. But I do, time and time again And the small things start to become enough As I learn to appreciate what I have. And even with my broken wings, I will learn to fly.

All My Love/Another Season
by Lillian Wissler
I have gotten back into a song that was on repeat nearly a year ago today, back when we were still together. One I would play in the hot parking lot of our small town’s expensive grocery store while waiting for you. The one you worked at, might still work at. I work in one now, too, but it’s a chain and it’s hours and hours and hours away from that spot I’d pull into and then straighten, afraid to embarrass you with my parking or in any way at all. Sweaty and still in the business clothes from my longer shift earlier that day. You were always changing; I put on one outfit and stayed in it. I am still like that. The song itself was the only one that I liked by a singer everyone was into at the time. You claimed to be one of the first, and I somehow granted you my belief even though I never did that for anyone else. I am worse about it now. I still can’t tell if I like the song, or if it is just nostalgia. Back then, I was so gripped by that desperation to show you I can be like you, I can like your things. My previous ex and I had very little overlap in anything like interests, so one of the few ways me and you were dissimilar—this damn singer I even heard on a study abroad in Ireland, texting you every time, mentioning it aloud to the friend of yours I was starting to fall in love with— caused me such intense panic that I eventually decided this song about the after of a bad breakup did it for me. I’d sing it to you so happily, quietly, more of a humming. You always wanted me to sing for you. Why is that? I sing it angrily now, loudly. Where I once only heard the parts about love, I can only pay attention to the lines about how he’s still the same, still where the person left him, no danger of changing. I think we are both like that. I was rarely home after the breakup, obsessed with a different song now, one about disappearing off of a once shared street. It was in a movie I had to watch for class. You would’ve loved it. I had to turn my phone off to prevent sending you the recommendation. I thought about you the whole viewing, and I even cried despite being in the school’s theater surrounded by my classmates. No one ever mentioned it, not even the boy who was overseas with me hearing that other damn song in Ireland’s CVS equivalent. Mentally, I did not move. I still feel stuck how I was, in the post-summer haze of grass in my hair realizing you’d lied to me six ways to Sunday. I don’t think I ever fell out of it. I don’t think I even feigned interest in therapy even though I told you I should send you my bill. I kept telling you that I had come so far in my ability to trust people again, but no one ever lied to me like you did, so I am still trying to make sense of that. I think I just didn’t want you to feel special in any way, even as someone who wronged me. Revenge for my own feelings of unspecialness. I think I needed to move myself away from victim as much as I could. You stayed dropped out, you stayed working at the grocery store. You told our friend—mine alone, now, even if she still doesn’t love me back—that you were finally getting the help you needed, that you were troubled and need to stay single for a good long while. You told her you can’t let yourself think about what you did, and you’d told me the day previous that’s exactly what you needed to be doing instead of staying in contact with me, back when I almost begged on hands and knees for that not be how this all went down, even after breaking up with you. I made a rule that I can’t check your accounts anymore, now that I live so far away, a drive that only you would make in the dead of night. I think the fun was partially taken out of looking when I realized you knew what I was doing, that what you posted was no longer something I could conjecture was put up on purpose because I now see it was. I saw the playlist you posted, and I knew your dad died. I didn’t reveal the information to anyone at first, because it felt like my private shame that I knew you so well that I’d decoded your car change when I passed you at a red light earlier that week, late after a shift and drinking with friends, and to see the playlist you posted was only verification the morning after. At the time I passed you, I saw your silhouette and your glasses. The clear frames, which is strange for you. At least for the you I knew. I laughed, thinking how perfect you see me leaving a good time, while you are alone in your car. I’d seen you a week earlier parked along the river as I drove to return the car to my work. You were eating a burger from Larry’s, a place you showed me and now I claim as my own, watching the water and the sunset. Your parking spot then was parallel to where we once parked for a baseball game I thought of so often during those long driving shifts. I laughed then too, thinking the image was pitiful, but I was also alone, and I realized if we were together I would consider that a perfect night. I had my own burger from Larry’s parked in a lot overlooking the old farm you used to work at but that was the week after we broke up and I alternated crying, texting my mother, and thinking how much the burger tasted like those I had in Ireland between texts to you. I have thought about you every day since I’ve moved, and I don’t think I can write you out of me. Every story about you is labeled the last of its kind. The first I wrote about you in our own after was called “Your Last Story.” In a more real way, it was “Your First.” Your old friend and the girl everyone tells me to stop speaking to confirmed what I knew from your car and my search, and she asked if I would reach out to you. I told her no without any hesitation, and I was surprised she asked at all. Sometimes I think she hates you more than I claim to. Today at work I imagined texting you my address and offering you an escape. I know you’d do it, and I really considered it, but then I got caught up in how I’d let you into the building and if the truck could make the drive. I am brave enough to invite you, but too mad to pick you up if you broke down along the way. I miss sharing a bed with you, and my apartment feels empty without another person. I think about our summer together as this perfect burst of what it could’ve been like, and, if I am feeling optimistic, what it can be like for me again, with no risk of an ending. I think of how hot it was, and how eager you were to show me things and places, and how happy I was to love all of it. And how none of it was an act on my part, except for the damn song that I’ve played more in the last few days than I ever did back then with anxious eyes on the dimple in your cheek and the stress between your eyebrows. I picture you like that now, the dimple proof of tension rather than joy, but your hands on the wheel of the truck you always told your dad you wanted from him. You have it now, at intersections you won’t see me in anymore, in spots adjacent to any number of them we once parked in. It’s back to your small town now, and I’m busy in a big city chain where nobody looks like you, not like they did back in the only place where you could be, and now I just have to think you back into existence and press play on a song I’ll never know if I like.
Kings of Convenience
by Lillian Wissler
I listened to a song that was on repeat during the secretive phase of my first relationship, and I dreamt of her as a result. The dream itself was a microcosm of my life as it is. An accidental car crash and an inability to walk the cut-throughs of campus due to a combination of the cat carrier I won’t set down, bad shoe traction, an injury I am distantly aware of, and because I keep getting out of breath. In the face of these obstacles, I decide to negotiate my first girlfriend back into my life. My awareness of her in the dream is her physicality; movements I then didn’t recognize as shyness, her motion-full neck and throat, her way of speaking, how she sounded. Her mouth spreading, corners jumping, and her uneasy full-body stretches I always took as confidence, confused when she rebuffed this description each time. What is true is that our relationship was like a kind of violence to one another. I never knew exactly what pulled me to her, though my inventory of those nervous movements I later understood as accidental seduction. She told me she didn’t consider me until I brought up my attraction. What she forgot was her hand placement. We glared at each other in that in-between time. I had difficulty believing her words; we had spent months locked around each other in my dorm bed, careful of lips, liberal of hands. She had difficulty believing I liked her. “I thought you were experienced,” she said, like offended, after we kissed and I said it was my first, too. Then, it was impossible, now, it is clear to see that we both spent months building each other up rather than using our stolen moments to ask questions. Her roommate, my best friend, never asked what we had been up to in that time, though I knew she had to have guessed. Yet, when Stella finally seemed to come around to the idea of me as a girlfriend after her best friend told her, “I think you’re in love with Lily.” My own best friend was shocked. “Really?” she asked me. She took me aside to make sure I was serious. She finally said she had an idea of those months and how they were spent, but never an inclination that I really liked Stella. It seemed that we all had mismatching sketches for one another. Somehow mine grew heartless in the eyes of others. Stella and I both faced those in our lives asking why we liked the other. We were so confusingly mismatched, the kind of relationship that only made sense when it was the two of us, alone, until even that didn’t work. Perhaps that is why those early months stretched on, a deeper peace than the actual relationship. “I wish I could freeze this moment in amber,” I wrote of the first night during that time, of us lying wrapped together in bed. “I know you know the future,” I said. “But I am content with this.” I ended my entire diary on that. A fear of what was to come was present from the first moment of union, a resistance that neither of us chose to look at head on. Or at least that I didn’t until the moment I knew we needed to break up. Our togetherness, our officiality, was awkward. We only knew how to speak in private, in quick glances and lingering touches chaste enough to go unnoticed by our friends. Stella asked that I not tell anyone for a few days, something that grated on me but that I allowed. Once public, my way of speaking, of being, seemed to embarrass her. I have never done anything by half, yet that was her preferred way. “Can you not lean on me?” She asked, looking around the dining hall. This was our first day out together. “Can you not touch me when we are around people?” She asked later that week. This was the first thing that felt implacable. Touch is my love language, I was then just finding out. I agreed, though sometimes I would bargain to hold her ankle when we had movie nights with our friends on her couch (my chair set at the end of the pullout so that I could not be tempted by hands or heads on shoulders). I was made to feel like a pariah as it all unraveled. Her own struggle was entirely internal. She would reference anxious calls made to friends, parents. Say she was fine, needed a night in. I would use the toilet far off from her dorm room so as to not encroach on her in these moments, seeming to recognize her love as that of a skittish animal. I had raised a feral cat; I would weather the storm. Privacy matters bothered her most. As a result, dating her was like permission to shut up. I was fresh off the car accident at this time, not even close to the year anniversary. Our relationship was littered with my doctor’s visits, ER trips, surgeries and the emergency follow-ups. I was a shell of a person, one that was too relenting. One that was well matched with someone who had grown up with a sick mother and as a result thought of discussing feelings as weakness. This is unlivable for me in the long term, someone who must plumb the depths for anything glittering in the gore. At the time, though, she was the only one not demanding to know how I felt. In turn, she became the only one I wanted to talk to. An incongruence that she quickly shut down by saying, “It hurts me to hear about your hurt. I don’t want to talk about it.” My frustration with her in these moments took a physical outlet: I would kiss her instead of responding. Sometimes tears would streak down my cheeks as I did so. More often than not, really. Thus, matters turned physical. Something that brought death to the relationship in time, even if these silent, sheet-tangling matters were what began our closeness at all. Our only distraction from this was discussing the future as a given. We took turns describing unlivable lives to each other. We would nod, waiting for the hellish story to finish so that we could interject one minute detail that would prevent this imagined life’s suicide. “Of course,” we’d say to the other in response to those rushed saving graces of trips back to Dayton, a house in Cleveland by her work, “I can’t believe I didn’t say that.” “I want kids” earned “I don’t.” An acquiescence: “I will be the emotionally distant dad.” A smile but turning to the window before my eyebrows could furrow: “I will be an overattentive mom to our girl. Sparkly dresses and the sort.” Instead, I pictured my own mother: under-attentive and overworked. Stella more than likely pictured her father, a man who did loving acts for her in silence, embarrassed when thanked. Someone who acted like they were doing what someone else ought to. “That house,” she pointed at an ugly Huber home, painted dark where I would’ve wanted light. Blonde bricks where I’d want red. Locked into symmetry with every other house around it. A tight feeling gripped my stomach. “I’d buy us that house. No stairs, so I would not have to worry about your back.” She thought for a second, “But if there were stairs, I would carry you down them.” In this scenario, I pictured her as an old man, me his white-haired wife of decades. His own back rent forward. Yet, he must do this task. I started to tear up; I hated the fucking house. I hated that her work was around the corner, and that selfishness seemed to be leaking off her image of the future, the only kind parts of it speaking to spots on my body I wasn’t allowed to talk about. I rubbed my head against her shoulder, though. “Good flower beds,” I said, like the little housewife I would be. I had never given a fuck about flower beds that weren’t my grandmother’s before. “Writing office?” She looked over at me as if confused by my physicality in that moment, confused to be thanked in my odd way for what would be our future. Confused that I would add one of those lifesavers here. “Of course. I will put a desk right in front of that window.” It was surprising that neither of us scowled in these moments. “Fit me,” we seemed to be screaming at each other through gritted teeth. “Be perfect for me.” Our words only came out in soft whispers, though, like we were still scared to be caught in that drafty dorm room from the very beginning. Even in a car empty besides the two of us. You’re all I have in this way, was the truth of it. We were two children who had been through too much and needed to rest. We didn’t see each other as the catalysts we were. That there was no way for this to end other than in a slow bleed. This was no hemorrhage. At least on my end. Hers was revealed to be the opposite, but that was months to come. But perhaps I am just being generous. She was my first love, after all. At the end of the trip, a day after seeing our future home, my family picked me up, a further childishness visited to our relationship. Our parents met, seemed to not like each other. Her brother barely stopped himself before commenting something rude. My mom reminded me to hug Stella, and the moment ripped me in half. I had grown so used to Stella’s rules that now I had confused my own parents with what looked like my uncaring but was really the deepest, most desperate opposite. “Weirdos,” my mom said, teasing, but the barb had already struck true. Stella texted me after as she hung out with a friend. “Maggie will loan you the book you want,” she said. I read this standing with my family on the top floor of the Rock and Roll Hall of Fame, and I began to cry in earnest, not having to hide it against anyone’s face, against a car window. Ridiculously, all I thought in this moment was that I would never get to read that book. For what it is worth, I didn’t. For what it is worth, I don’t even remember the fucking title. I am left with dreams of jumping throats, fast-moving mouth corners, the ghost of curling hair between my fingers, and remembering how cold a dorm bed gets when one’s body heat leaves it.
Creative Nonfiction Inspiration for Issue 1 ╰┈➤ ✎
Read from some of our favorite nonfiction writers:

carmen maria machado

susan stryker

bell hooks

angela davis

maia kobabe

jack halberstam